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Jumat, 23 Desember 2011

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THE GUNMAN, the new action thriller from Pierre Morel, the director of Taken, stars Sean Penn, Javier Bardem, Idris Elba, Ray Winstone and Mark Rylance. (C) Open Road

About The Gunman

Artist : Javier Bardem, Idris Elba, Sean Penn
As : Felix, DuPont, Jim Terrier
Title : The Gunman Streaming En Entier Gratuit
Release date : 2015-03-20
Movie Code : 2515034
Duration : 01:58
Category : Action

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Name : Christopher Orr / Alias : The Atlantic
A dull, generic retread, made far worse by Penn's self-seriousness as an actor, by the banal political pieties he's grafted on as producer and co-writer, and by the presence of a pitifully retrograde female lead role.

Name : Peter Rainer / Alias : Christian Science Monitor
I doubt The Gunman will do much to advance Penn's foray into action-hero bankability, and that's probably a good thing. He's too fine an actor to be mired in nonstop shootouts while flashing his pecs and looking scowly.

Name : Alonso Duralde / Alias : TheWrap
What begins and ends as an exploration of Western exploitation of the Congo mostly follows the standard track of the retired hit-man who realizes that he hasn't quite yet eluded the sins of the past.

Name : Peter Howell / Alias : Toronto Star
Whatever else we might think of Sean Penn's bid for an active middle age via The Gunman, we can't doubt his enthusiasm.

Name : Liam Lacey / Alias : Globe and Mail
Like a queasy blend of Still Alice and The Bourne Identity.

Name : Claudia Puig / Alias : USA Today
The only redeeming feature about The Gunman is its exotic locations.

Name : Joe Neumaier / Alias : New York Daily News
There's a grubby, redemptive quality that makes this tough-minded flick feel like the son of "Serpico" and "Salvador."

Name : A.O. Scott / Alias : New York Times
Mr. Penn, aiming for weary, battered intensity, settles into a zone somewhere between fatigue and indigestion.

Name : Peter Travers / Alias : Rolling Stone
The Gunman degenerates into dreary setups for guns and gore. Penn merits more. So do we.

Name : Guy Lodge / Alias : Variety
Sadly, Penn's veiny, sweat-glazed biceps are the most objectively impressive feature of this rote, humorless thriller, a distinctly unconvincing attempt to refashion the star . as a middle-aged action hero in the Liam Neeson mold.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The kind of film that can't be bothered to do any more with its Spanish setting than have a showdown at a bullfight.

Name : Kyle Smith / Alias : New York Post
Watching Penn pump iron and denounce capitalism for two hours would be roughly as illuminating as this monotonous Euro-thriller.

Name : Leslie Felperin / Alias : Hollywood Reporter
Ultimately this feels like a vanity project designed to do for Penn's bankability, Africa, Spain and mercenaries what the Taken franchise did for Liam Neeson, Paris and Albanian gangsters.

Name : Steven Rea / Alias : Philadelphia Inquirer
Obviousness prevails.

Name : Bill Goodykoontz / Alias : Arizona Republic
"The Gunman" is a predictable slog through action-movie tropes, and Penn's intensity isn't a good fit.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The Gunman is too disorganized and sloppy to make sense as political commentary or to work on the most basic level as a globe-trotting chase thriller.

Name : Michael Phillips / Alias : Chicago Tribune
It's a tasty cast, but the script does not do its job in crucial areas, letting the audience get way, way out ahead of the reveals.

Name : Tony Hicks / Alias : San Jose Mercury News
It devolves into a mess of worn plot lines. If Morel wanted to give Penn's career new life as a world-weary action hero, he missed his target.

Name : Ben Sachs / Alias : Chicago Reader
I can imagine Sean Penn agreeing to star in this Taken knockoff on the condition that it educate moviegoers about humanitarian crises in Africa; it does, but the film feels misshapen as a result.

Name : Rene Rodriguez / Alias : Miami Herald
Penn remains a furiously committed method actor, even in a paycheck role such as this one. But he's not enough to prevent the film from becoming the same-old.

Name : Wesley Morris / Alias : Grantland
I object to The Gunman because it's unconvincing and incoherent.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Penn and his fellow actors are fine at conversation, but there are more dialogue-driven subplots here than a movie full of bullets and land mines requires.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
A well-executed thriller that leaves us stirred but not shaken.

Name : Stephanie Zacharek / Alias : Village Voice
Penn's need to be seen as a guy of integrity is left naked in The Gunman, but at least he's having some fun with the action-movie trappings, and with taking his shirt off.

Name : Peter Keough / Alias : Boston Globe
If the film's intent is to condition the audience into a distaste for violence through boredom, it succeeds.

Name : Rafer Guzman / Alias : Newsday
A lightweight thriller posing as a heavy political drama, or vice-versa. Not thoughtful and no fun.

Name : Tom Huddleston / Alias : Time Out
Too often feels like just another slice of brainless Eurotrash, packed with saw-it-coming plot twists, half-hearted car chases and an angsty hero with zero charisma.

Name : Jocelyn Noveck / Alias : Associated Press
OK, we've seen the biceps and the abs. Very nice. Now, back to the brain.

Name : Richard Roeper / Alias : Chicago Sun-Times
Rarely, though, have two Academy Award-winning actors been so stunningly off the mark in the same movie.

Name : James Berardinelli / Alias : ReelViews
Penn is dour and not the least bit heroic in this movie. He survives the action sequences but neither they nor his participation in them gets the blood pumping.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It succeeds, partly because the moral climate it presents seems so confused, but mainly because of Penn's particular aura of irascible integrity.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The actors are good and the action is thrilling. And if the film isn't quite as seriously political as I'm guessing Penn told himself it was, it's definitely an offbeat change of pace for us.

Name : Ann Hornaday / Alias : Washington Post
"The Gunman" may start as a genre exercise of promising purpose, but it winds up being just a lot of bull.

Name : Rex Reed / Alias : New York Observer
Unfortunately, nobody ever won an Oscar for washboard abs. And nobody is going to win five seconds of admiration for 115 minutes of tedium in The Gunman.

Name : Andrew Lapin / Alias : NPR
A dum-dum action picture that briefly pretends to be about world aid before returning to muscular, middle-aged men beating the snot out of each other.

Name : Andrew O'Hehir / Alias : Salon.com
I've pretty much always enjoyed watching Penn in everything, not despite of his hambone tendency to milk every moment of every shot but because of it. This stupid movie is no exception .

Name : Betsy Sharkey / Alias : Los Angeles Times
Part of the contract that movies of this sort forge with moviegoers is that the reasons for all the running and gunning won't get in the way of the action. "The Gunman" doesn't play by those rules.

Name : Soren Anderson / Alias : Seattle Times
Yes, there are plot holes aplenty, but the action is tautly staged by Morel and that makes "The Gunman" a satisfactory time-passer.

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Rabu, 17 Februari 2016

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Regarder Film
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

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